Is it a Tanu Weds Manu rehash? Is it an upgraded version of Hum Dil De Chuke Sanam or Woh Saat Din? Is it a story inspired by Amrita Pritam’s life or is it based on Manmarziyaan’s writer, Kanika Dhillon? Like Clark Gable’s immortal response to Scarlett O’Hara in the movie, ‘Gone with the wind’, after watching Anurag Kashyap’s ‘Manmarziyaan’, one would respond with an indifferent, “Frankly dear, I don’t give a damn.”
Sixty minutes into the film, and you know where this messy love triangle is heading forth and you already find yourself losing interest halfway. You neither root for the blue-dyed DJ Vickey Sandhu (Played to perfection by Vicky Kaushal), fiery and feisty Rumi Bagga (A tailor-made role for Tapsee Pannu, the latest flagbearer of feminist fervor), nor do you give two hoots to the calm and composed Rajbir ‘Robbie’ Bhatia (Abhishek Bachchan in yet-another NRI role). It’s probably the most ‘thakela’ love triangle you’d ever want to be entangled into. Nah, this ain’t no rant. So, stay.
To begin with, you find two characters i.e. Rumi and DJ Vickey ‘Sand’hu like Munna and Mili of Rangeela, who’re constantly at loggerheads with each other, yet are as inseparable as Siamese twins or rather those twin dancing sisters who keep popping up during song sequences and leave you asking for more. In this love story, the lovers seem to derive some sort of high while fornicating behind banging doors (no pun intended).
Along comes the good guy, Robbie – the Ramji type character, who carries the mantle of ‘Goodman di laaltein’ forward, after his predecessors like Vanraj (Ajay Devgn in Hum Dil De Chuke Sanam) and Manu (R. Madhavan in Tanu Weds Manu). He instantly falls in love with Rumi and learns about Rumi ka Romeo, yet croons, ‘My heart will go on’ and hangs on with his feeling for her, voluntarily assuming the role of Option B, at the risk of ending up as a Phone-a-friend, as his Pa, Big B would like to term it.
The drivel goes on, until you find yourself concluding, ‘Okay, the girl is fiery, the guy is commitment-phobic and the NRI guy is Ramji-type. We get it, what next?’ The three characters are like three trains running parallel on their own tracks – never do they shift tracks. Halfway through, you assure yourself, ‘It’s an Anurag Kashyap film so there has to be some grey shades to the NRI’s character, which he does hint at, right before the interval, plus didn’t the film begin with the song, Grey wala shade?’ So, you hang on till the end, desperately hoping for some grey wala shade. Tough luck, sigh.
The only respite you find in Manmarziyaan, apart from its mind-blowing music, is the excellent performance by its lead characters. Vicky Kaushal goes on to prove that he’s here to stay for a really long time, perhaps snatching away crowns of the high and mighty. You wonder whether he’s the same guy you watched in Luv Shuv Tey Chicken Khurana, Masaan, Raghav Raman 2.0, Raazi, Lust Stories or the recent Sanju.
Tapsee Pannu, fresh from her fabulous performance in Mulk, is in complete form here. Any actress worth her acting chops would bet her bottom dollar on such a brilliantly fleshed-out character of Rumi Bagga. Her role is loosely modeled around Amrita Pritam, who was an orphan at young age, smoked leftover ciggies of her then-lover Sahir Ludhianvi, got married to a stable guy, Imroz and fell in love with him. Tapsee makes her presence felt in every frame she is featured in, despite the other hard-nailed actors around her.
Abhishek Bachchan, though a terrific actor who wowed us with his performance in ‘Yuva’, ‘Guru’, ‘Bunty aur Babli’, ‘Bluffmaster’ and ‘Raavan’ seems to be stuck in the rut of playing NRI with a heart of gold. Manmarziyaan was supposed to be his ‘comeback’ film, but the film adds insult to his injury with the ‘NRI desperate to get hitched’ role that’s making him comfortably numb. Ironically, the actor reasons that he took a break because he thought he was doing the same kind of roles, of late. Well, the bitter truth remains that the only actors to benefit from Manmarziyaan are Vicky Kaushal and Tapsee Pannu. Heck, even those twin dancers are sure bag some more films, perhaps in a Remo film.
The music by Amit Trivedi provides the much-needed breather from the sluggish screenplay written by Kanika Dhillon. Tracks like ‘Dariya’, ‘Grey wala shade’, ‘Dhyaanchand’, ‘Chhonch ladiya’, and a brilliant unplugged version of ‘Dariya’ by Deveshi Sahgal are going to stay on your playlist for a time inversely proportional to the time till you’d remember Manmarziyaan, a forgettable film with an unforgettable soundtrack.
To sum it up, Manmarziyaan oscillates between ‘Pyaar’ and ‘Fyaar’ (Desi version of ‘Friends with benefits’), just like Karan Johar has been relentlessly ping-ponging between ‘Pyaar’ and ‘Dosti’. Commitment phobic man-child lover, confused heroine with a feminist streak, golden-hearted sacrificial lamb husband material – We’ve had it enough. It’s high time our filmmakers take a leaf from the opening lines of ‘Grey wala shade’ song penned by Shellee: ‘Zamaanaa hai badla, mohabbat bhi badli, ghisey-pitey version, maaro update…’